Les thèmes de Laura.

IGOR STRAVINSKI has a slower "movement". his work is the most varied of Russian music. He had a more varied knowledge. Was the most influenced of all. He was also known as a more writer. Was more instrumentalist he had a more philosophical thought. Was the most musical philosopher.

"In life there is nothing to fear, you just have to understand" The person who said these words lived in a scientifically macho era, she saw his mother die when she was 10 but left her daughter a strong teaching along with her father: There is nothing that you cannot do if you do not make an effort for that. . As good Russian state of 1890, the universities had "the Salic law of education" and she therefore went to Paris with her family; she changed her name, her way of being, her thought from one amancipated to one empowered and, thanks to that, saw in science an opportunity for empowerment and knowledge. She graduated from the Sorbonne at the age of 27, with linguistic and monetary difficulties, she showed us that women are capable of everything; When she left university, she was positively a stranger (I am excited just thinking about it), when she started working in a laboratory she met a man who complemented her and, with him for support, her work was recogn...

First part. By Laura Stephanie Villamil Martínez. How to start? I really do not know! Hahaha. I have listened to so much classical music that I no longer know which is the best musical piece but something that I have listened to, with much attention and appreciation, are the beautiful works or pieces that open up to an even greater show: What we all know as operas overtures. Here I only write a small part of what I think regarding great emotions that are at the beginning of many more written and / or composed by beings who were inspired by facts of their life or readings of other great teachers in literature and who helped " unintentionally ”to these composers to grow even more ... 1.       Overture CARMEN, George Bizet. Pure blast by God! I sincerely believe that Bizet was happy, ecstatic, excited, etc. Because he wanted to express what he felt when writing this famous opera and when he started with an explosive, joyous, lively and fun ov...

I do not know what to do, I don't have a way to go, My mind is wandering And I have nowhere to go. I feel alone, A huge hole in me I'm feeling it Now and here. I feel strange, A rare bug You want A strange good. I do not know what to do, I'm stranded And with my mind really spoiled. I feel lost I have no guide And I will continue like this Until the end of my days.

      Luciano Pavarotti. "The Italian tenor of the time": strong, demanding, emotional and exciting. The first time I heard it, I was very attracted to how he sang: a powerful way to reach a C5 without demanding, went from a simple character to another more powerful-demanding without difficulty and that, for me, will always be admiring.       Juan Diego Flórez. He doesn't surprise me either: a light voice that sounds fragile to me and when it goes up (as in ah mes amis!) It leaves me dumbfounded, cheerful, excited and happy. From Verdi to Bellini, a sublime, complex voice that goes up and down with ease and very well perfected for each character to play (Don Ramiro and / or Tonio).          Javier Camarena. Did you think he would stay outside? I do, but I listened to him as Don Ramiro-Count Almaviva and Tonio and he left me perplexed with his powerful chest, simple, simple, clear and friendly; He plays very we...

How could i fall in love of a man without equal? How could tangled me a heart with cruelty? How could i fall before a being like him? A tyrant That took advantage of my good. Is love like that? Or did he give it? For everything I've seen, For him I have become like that. doesn't even respect what one feels for him, he is a cold man And without conscience. He doesn't feel love I never felt his heart because is empty and without any reason. I will always regret of what my heart feels for a man without sanity and without any mind. Goodbye Life, has taken you out of me and it has always taken me To my pure end.

Actually, I never thought that he would be the first on this list but when I heard a F5 several times I was stunned, excited, happy, scared and terrified (I thought it was going to damage the voice but it wasn't like that hahaha) a chameleonic tenor, harmonious and independent (did not stay with one or two composers); an explosive, fixed voice that knew how to blend well with the aria that it was his turn to sing and in the language that it was, really a calm but explosive voice at the same time. Alfredo Germont. Fausto.   Rodolfo Duque de Mantua. Werther. This one does not surprise me: apart from an attractive bearing, his powerful, fragile, forceful and exquisite voice made him one of the best and most complete tenors in history; He, in all musical aspects, complemented each character very well, stood out in all vocal and musical fields; It has been seen by many as "an exquisite and excellent vocal technique." Manrico Radames Mari...