Luciano Pavarotti.
"The Italian tenor of
the time": strong, demanding, emotional and exciting. The first time I
heard it, I was very attracted to how he sang: a powerful way to reach a C5
without demanding, went from a simple character to another more
powerful-demanding without difficulty and that, for me, will always be
admiring.
Juan Diego Flórez.
He doesn't surprise me
either: a light voice that sounds fragile to me and when it goes up (as in ah
mes amis!) It leaves me dumbfounded, cheerful, excited and happy. From Verdi to
Bellini, a sublime, complex voice that goes up and down with ease and very well
perfected for each character to play (Don Ramiro and / or Tonio).
Javier Camarena.
Did you think he would stay
outside? I do, but I listened to him as Don Ramiro-Count Almaviva and Tonio and
he left me perplexed with his powerful chest, simple, simple, clear and
friendly; He plays very well with his roles, is chameleonic, in the majority
they are comedic roles or with a lot of charisma and, therefore, he reaches a
full tenor level.
We will continue with this
list because there are many treasures to listen and I will...
- https://www.google.com/search?rlz=1C1CHBD_esCO805CO806&biw=1280&bih=832&tbm=isch&sa=1&ei=XfXOXfvsK-OIggfXqICAAg&q=javier+camarena+tonio&oq=javier+camarena+tonio&gs_l=img.3...21175.25795..26789...0.0..0.698.4378.0j1j8j5j0j1......0....1..gws-wiz-img.......0i7i30j0i8i7i30.eDgUwDLWTEI&ved=0ahUKEwi7j_X78uzlAhVjhOAKHVcUACAQ4dUDCAc&uact=5#imgrc=DI8j35cGkQIoVM:
- https://www.google.com/search?rlz=1C1CHBD_esCO805CO806&biw=1280&bih=832&tbm=isch&sa=1&ei=-PTOXfaeFKK7ggfD65voCw&q=juan+diego+florez+tonio&oq=juan+diego+florez+tonio&gs_l=img.3...94023.99457..100238...0.0..0.144.1961.0j17......0....1..gws-wiz-img.......0i7i30j0i8i7i30.dZ7LZ2chOyg&ved=0ahUKEwj2-sjL8uzlAhWineAKHcP1Br0Q4dUDCAc&uact=5#imgrc=0IFI-7h4a1NKUM:
- https://www.google.com/search?q=luciano+pavarotti+tonio&rlz=1C1CHBD_esCO805CO806&source=lnms&tbm=isch&sa=X&ved=0ahUKEwjx2cfK8uzlAhWpzlkKHS7mAd4Q_AUIEigB&biw=1280&bih=881#imgrc=6Bq2sQQ2cXAq7M:
Pavarotti era un tocado por Dios. La naturalidad de su canto era increíble. Nació con una técnica propia y maduró su voz de una manera adecuada. Flórez y Camarena, pertenecen a otra generación, son atletas del canto cuidan su voz, su técnica y son más escrupulososos de los roles que eligen. Esto les permitirá prolongar su carrera manteniéndose en la cumbre.
ResponderEliminarGrandes tenores. Soy parcial a Kraus y Domingo. No necesariamente los de notas más altas, Domingo fue barítono al principio y final de su carrera y el tono de Kraus era más oscuro, pero sus versiones de “La Fille du Regiment” son mis favoritas. Ninguno más versátil que Domingo.
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