Actually, I never thought
that he would be the first on this list but when I heard a F5 several times I
was stunned, excited, happy, scared and terrified (I thought it was going to
damage the voice but it wasn't like that hahaha) a chameleonic tenor,
harmonious and independent (did not stay with one or two composers); an
explosive, fixed voice that knew how to blend well with the aria that it was
his turn to sing and in the language that it was, really a calm but explosive
voice at the same time.
- Alfredo Germont.
- Fausto.
- Rodolfo
- Duque de Mantua.
- Werther.
This one does not surprise
me: apart from an attractive bearing, his powerful, fragile, forceful and
exquisite voice made him one of the best and most complete tenors in history;
He, in all musical aspects, complemented each character very well, stood out in
all vocal and musical fields; It has been seen by many as "an exquisite
and excellent vocal technique."
- Manrico
- Radames
- Mario Cavaradossi
- Dick Johnson
- Canio
Definitivamente ambos fueron enormes tenores aunque yo prefiero a Gedda, a mi gusto Corelli cantaba más nasal. Para agudos, en la actualidad resalta mucho Javier Camarena.
ResponderEliminarTengo un problema y es que la primera vez que escuché a Gedda fue como Fausto en una fabulosa versión con Christoff y Victoria de los Ángeles y su voz me encantó.
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