Les thèmes de Laura.

A story for you is what I have right here: "Two loved ones Whose souls are in love ... They were always together as if they were only one, your fragile hearts they give many reasons ... One hard as stone, Another soft like a cloud and in both beings love for the other prevails. Their eyes always looked, never separated and especially their mouths never stopped kissing ... It's a story that practically It will never, never end " but the other person said: "Of course it's your story with your beloved wife!"

They loved you so much that gave you peace but with your pride you do things without looking. They loved you so much that their actions were to love and you were so happy for them that you could not stand. They loved you so much that you want to reward them, you want to return everything without looking back. Their love will always take you to be the best part of you, to be yourself until the day of your end. Their love never ends as well as this song, and my love for them It will never come to an end.

"Nadie me teme" Ese es el lema de esta poderosa aria Y la muerte es el poema. "Nadie debería temerme, Porque ya no puedo hacer más daño ". Es lo que dice otello habiendo sido engañado "Es por mi señora, Que la hice irme ¡LO HIZO IR! Para siempre ahora mismo. " Tan profundo, trágico, Muy sincero, tocado Es el fragmento de esta escena. Como la hermosa música. "Nadie debería temerme Porque voy a ir ahora ¡ADIÓS! Iré con mi señora ” Tan poderoso e imponente, Como la ópera en la que se encuentra, De esta bella aria Escribiré mucho más.

Red love, Live love For that being That makes me feel this affair. Red love that you see everywhere, Clear love who is with me every moment. Red love, Passionate love That is buried in my heart by side and side. Crazed love, Outraged love For your blinded love and well hidden. Love returned, Never finished, That will always be there as a great lover.

If before I said that arias for tenor scared me to the point that when I wanted to sing damaged my voice, the soprano seriously almost left me speechless and with serious injuries in the throat hahaha. Although most of the time I was glad that they had left most of the best arias for female voices of great power; the great composers relied heavily on the ladies for their delicacy, commitment and dedication to each character through their powerful, fragile, delicate but prominent voice. Next we will see the great examples of these words...   Der holle rache (Die Zauberflöte, W.A. MOZART). As I said once in this blog "The most complicated Aria for light soprano" for an excellent mastery of variations of tone, speed, language (I always say that if there is a difficult language to sing it is German), a good start it means that it will be a great interpretation, ease with verses and short words but, most of all, the fluid and fast handling of the famous stacca...

Locura Amorosa, Corazón desordenado, Alma extasiada, Amor descontrolado. Locura amorosa, pasión desenfrenada, Ojos desorbitados de una enamorada. Locura Amorosa que nunca terminará, Hermosa cordura que mi corazón tolerará. No diré adiós a mi profundo apego, nunca será la despedida y siempre será mi consuelo. Nunca "hasta la vista" mi frenética adoración, Nunca "adiós" mi enloquecido amor.

The evil in you, Evil in me Are clear samples Of a dark without end. Evil It does not tell me anything More that there is light And endless darkness. Evil shows us That we can be the worst But as there is good We always want to be the best. Evil I do not want to show, I do not want to hide it Because I do not want to show What there is not in me in reality. We are all good And sometimes bad, What it shows us That we are human beings.